I Am Isabel the Storyteller

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Category: Storyteller

#8. Why I Can’t Hop Out of Bed.

Every morning since coming to live with Pop and Mimi, after I wake up? After my eyes open? I.  Just. Lie Here. It’s like I don’t have a habit of what to do next in this place. I haven’t jumped out of bed once.

Yet.

One reason is I’m shocked to be at Pop and Mimi’s still. Of course the twins and I have stayed overnight lots of times. It was always a special treat. We loved it. Now it’s like a Big Mistake.  This place we loved to visit is now instead of the place we loved to live in. With the two people we loved most in the world. The universe. 

So I’m shocked, like I-stuck-a-finger-in-an-outlet-shocked.

I think it’s partly because I’m not in my regular-when-life-was-good bedroom: Rainbows on the walls–painted by Dad. Constellations on the ceiling–painted by Mom. In our second floor, crowded apartment. 

Where I am now is Dad’s old bedroom. The one he had when he was a kid like me.

Dormer window facing the morning sun. Bed with carved pineapple bedposts.

Tiny bedside table with one drawer. I found a basketball inflator needle in it, leftover from Dad’s b-ball days as a hotshot three-point champ.

Water pump lamp. Dad made it in woodworking class when he was in fourth grade. The handle of the pump has a chain on it. When you pump the handle the light goes on and off. There’s a pretend spout and a water trough for pretend water to flow into. Oh, and did I mention this? The lamp shade has horses on it, like hole-punched horse shapes, so when it’s dark and the light is on you see horses all over the walls.

Back to why I can’t budge out of bed in the mornings:

I feel like I have to check on my mind and muscle powers. You know, to see if I’ve got any.

It’s like I’m Mr. Frank, the grocery man at Frank’s Grocery and Food Mart. I help Mimi with our weekly shopping there. She holds onto the cart and her list, and I fetch stuff for her. (That’s a Mimi word–fetch.)  I always bump into Mr. Frank in his white apron.  He checks the shelves and makes notes. Just doing inventory, Isabel, he says to me and pats my head. Need to see what’s what. 

That’s how it is with me. I’m doing inventory, checking to see what I have left on my shelves.

It’s not that I don’t want to go downstairs and see Mimi and Pop, Clyde and Sam. I can hear them from here. They’re up and at ‘em, as Mom used to say.

Listen to this, Dearie, Pop says as he reads the sports page.

Do you want oatmeal or Cherrios, Clyde? Mimi doesn’t know exactly what the guys like for breakfast, and she’s trying to Get It Right.

And I hear VaroomVaroom noises that tell me the Tonkas are on the table next to the cereal bowls. Pop and Mimi don’t know that Dad didn’t allow toys at the table, because of all the spills.

Or maybe they do know and don’t want to say NO yet.

ISABEL

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(sketches by Ryan Grimaldi Pickard, Isabel’s dear friend)

#5. Wherein I explain who the narrator of my own life is…

I, Isabel Scheherazade, am 13-years old. Still a kid, technically; but what I’m writing is not-just-for-kids. Parts of my story is “for mature audiences” as they say. In fact, the movie rating for this memoir of mine wouldn’t be “G” or even “PG.” The reviewers would say it’s “edgy” and maybe give it one of those “parental warnings” for violence and death.

(My old school once tried to ban “A Day No Pigs Will Die.” We protested to the school board; that’s how I know about this stuff.)

My dad was writing a memoir with his high school Freshmen. (He’ll never finish it, BTW.) I asked him, “How do you decide which stories?”

“I write the stories that will still ring a bell in my heart when I’m 99,” he says.

How’s that for a not-really-an-answer answer? But now that I’ll never see him again I get it. My mind and heart throb with my stories. They’re seared into me and making a sound in my heart and mind every minute.

This is what happened. I’m going to write it quick and then throw up.

Mom and Dad were killed.

A guy in a truck ran a stop light; my parents swerved to avoid him and rolled over and over down this steep hill.

They wouldn’t let us see Mom and Dad after the accident. This means that the last time I saw them was about 5 PM. Mimi and Pop (my grandparents) had come over to babysit for date night. I was on our front porch in my PJ’s, electric- tooth brushing while telling Dad that Pop and I were going to play Settlers of Catan.

So, I didn’t even give them a good night kiss.

Since that night, me, Clyde, Sam (they’re twins) and Mimi and Pop sip and gulp from this Huge Cup of Sorrow.

I notice, though, even on the worst days I see OVER the lip of the cup a tiny bit. It’s because I’m trying to write to understand what’s happening. I’m trying to hold myself together by grabbing at words.

Stories jump up and down to get my attention.

I’m like this lady Pop told me about. She thinks someone is trying to poison her, so pretty soon, since she expects it, all her food begins to taste funny. Because I’m on the look-out for stories that will shed light, I find them.  All around me.  Just waiting for me to pick them up.

My memories are organized like our minivan (the one that rolled down the embankment.) Before it got squashed, it had three rows of seats, but, we used this van differently from other families.

I’ve got stories about what’s happening Right This Minute: The front seat memories. They’re full of our life With Mimi and Pop, school, neighbors, every day kinds of stuff. Some big. Some little.

I’ve got stories of Mom and Dad’s car crash: That’s the middle row o seats. But most times it’s like that row is turned down for storage.  In our family we used that middle section for storage because the twins’ huge double stroller didn’t fit in the usual back door storage area.  So all  three of us kids sat in the third row of seats, me in between two car seats full of noisy boys. Tight and gooey.

Back to the middle row. You know how you can press a lever to fold and turn the seat cushions so they’re out of sight? That’s how it is with the crash day memories. Out of sight. Usually.

Then there’s our whole life with Mom and Dad.  Before. It’s like they’re just sitting in the way back seat of my memory, waiting for me to notice them.

So, here goes.  This is the story of our first few months–After.  You’ll see how memories and stories jump out of the way back and into the front.

And sometimes plunk right into the middle.

 

#2. Official First Chapter? Wherein I WATCH THE PARTYING MOURNERS FROM BEHIND A BUNCH OF ORANGE FLOWERS

It’s over.  We had a memorial service at the stone chapel near Raging River, which was not.

I can’t remember much of what was said except this. One of the readers quoted Abraham Lincoln, “it’s not the years in a life, it’s the life in the years.”

Words as comforting as peroxide on a cut. When President Lincoln’s kids, Tad, Edward, and Willie died,  he couldn’t have uttered this.

I don’t process most of the words. They were like that blah blah background grown-up talk in Charlie Brown TV specials.

In the front row, Pop and Mimi clamp onto us like Dad’s woodwork vise, the one with super sturdy metal and wide wide “jaws.” I use this vise, Izzy, for the heavy-duty projects, Dad would explain while I sat on the cellar steps just above the work bench. See? The vise keeps it all from coming apart.

Sam, Clyde, and I are Mimi and Pop’s heavy-duty projects. Otherwise, I know we’d come apart.

Now we’re back at Pop’s. The twins and I are hiding out on a glider behind a tall wooden trellis loaded with viney, orange trumpet-shaped flowers. They’re glorious. Inappropriately jolly?

What a minute, Isabel. Give it a rest.

Clyde and Sam had a playgroup we brought them to for a while; we stopped because one of the mothers was always scolding kids for being “inappropriate.” Honestly?  At age 2!!  So, take a lesson, self. These flowers are perfect. Mom would be pointing out how their shape suits Hummingbirds.

I peer at the bunches of people in the backyard. If you didn’t know, you’d think this was a picnic.  Pop calls the crowd the partying mourners. Some party.

Right now one of Mom’s scientist buddies is talking to Mimi. Just last week I was at Mom’s lab waiting for her. The two of them were comparing slides, talking about honey bee mouth parts. Now he looks up at the trumpet trellis and gives a tiny wave.

Sam and Clyde are rolling their little trucks back and forth on the seat slats.  It’s weird though. Unlike usually, they make no noise. None. It’s like their volume control knob is turned all the way to OFF.  If Mom were here, she’d be holding their foreheads and murmuring, where you gone, little guys?

But they’re not. Gone, that is.

And she is.

And there’s this killer, not even in jail. Even though he made Mom and Dad go off the road and roll down a hill.

And die.

And, unlike the river, I am, raging that is.

ISABEL

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#45 Can a kid break a rule even though the “caretaker” hasn’t laid down the rules? What’s next for me, Isabel Scheherazade? Hint: It requires going to Ye Olde Coffee Shoppe.

How’d you know I was at court?

The school called, says Pop.

The school called?

It’s a new procedure, Mimi says.  They call when anyone’s absent, just to make sure.

Make sure?

Mimi nods. Yes, to make sure the student is sick and not abducted, or some such.

Cray*,  I think. We all ponder kidnapping for a few seconds, I break the silence with, How did you know I’d be here? At court?

Remember the day you pulled the newspaper out of the bookshelves? Pop looks at me. Then he looks at Mim and they do that thing where they communicate for a few paragraphs without talking.

Mimi takes over, Isabel, we were going to take you back to school and talk later, but let’s do this. We have until the boys get out of Kindergarten.  In between now and then, we’ll…

I interrupt. We’ll go to the hearing?

No. Pop’s one raised eyebrow goes to a full frown. We’ll get some sandwiches and drinks  at Belle’s and explain things to you. We’ll talk, and you’ll listen. 

Mimi puts her hand on his arm and gives him a small frown.

Wow, I think to myself. “I’ll talk and you’ll listen” sounds just like Dad used to when I’d done something wrong and he was fed up with “All the Nonsense.”

I don’t know why, but suddenly I begin to feel safer or something like safe. Secure maybe. Secure the way a Native American baby in a papoose must feel when there’s no way to be anywhere but on its mother’s back. All cozy. I wish Oliver had stayed. He would have liked this part.

Isabel Scheherazade, a sort of delinquent who is learning slang from Olivia. So cray* means crazy. I THINK it’s a rapper word, but Oliver’s on-line slang dictionary says it’s going mainstream.

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