I Am Isabel the Storyteller

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# “You ain’t nothing but a hound dog” meets up with # “the world will lose its motion love if I prove false to thee.” Court Caper Part 5. (“Chapter” 44)

Freeze-frame.

As the door clicks shut on the dying caper, instead of life flashing in front of my eyes, three visions sparkle like emeralds in the dust.

Vision One:

When the twins were into board books, a favorite was A is for Activist—an apt title for the library of unapologetic activists such as my parents. Frequently we’d all pile into the van for a women’s march or a pick-up-litter morning or a let’s-help-plant-a-trillion trees project: Environmental justice, civil rights, global warming, LGBTQ rights—my parents were involved in making the world a better place. Waving the stiff pages of A is for Activist aloft, while Sam and Clyde stomped their tiny feet and pumped their chubby arms, I’d chant and dance to stanzas like this: “A is for Activist/Advocate/Abolitionist/Ally. Actively Answering A call to Action. Y is for You. Youth/Your planet/Your rights/Your future/Your truth. Y is for Yes. Yes! Yes! Yes!”  

Pretty cool.

I read it so much, I identified AS an activist; but, truthfully? I was still a kid. Aside from those rallies and VoteForward letter campaigns and door to door efforts, on my own I hadn’t done much, certainly not like Greta Thunberg.  But tons of A is for Activist readings gifted me a soaring, mindless, boundless definition of myself as a do-er. And, it gave me enough umph to attempt the court caper.

Vision Two:

After the I-thought-I-was-an-activist image,  meringue-making seeped into my stream of consciousness.

Some things are hard to learn how to do. Like making meringue. Unless you know how, meringues flop. Wait until the egg whites have reached the soft peak stage? Don’t drip yolk in. Don’t use a wet or dirty bowl. Use the right sugar? Wrong whisk? When to add the sugar and beat? Use a electric mixer at a lower speed?  Did I beat too quickly? How did those large air bubbles get there!

I think the Court Caper was doomed from the beginning because I didn’t know what I was doing and what I would do when I got to where I didn’t know what I was doing. My activist persona tractored me up and out of school and emboldened me to lie and sneak. But, ill informed,  I flopped.

Vision Three: (From the Way-Back seat of my memory.)

When my parents got married, they had Dad’s dog, Dusty. Dusty was part beagle and part barker. At the end—he was 17–and this happened when I was four, so I remember it pretty well–at the end, he had this neck problem; his head hung. I had to lie on the floor to talk to him. I loved that dog. I used to sing him the Elvis song “You ain’t nothing but a hound dog” but I’d change the “hound” to “hang.”  Well, anyway, right now, in the courthouse with Mimi and Pop, I’m Doing the Dusty as Mom used to call it. Hanging my head.

End freeze-frame.

The sight of Mimi and Pop’s faces deflates me like one of my merengues. I’m ashamed. That’s the word for it. I am really, really ashamed. And worried. Worried that Mimi and Pop won’t trust me. Or love me.

So, what happens next, you ask. Am I grounded? Punished? Fitted for electronic ankle bracelets?  Sent to the Home for Little Wanderers?

Nope.

First off: They hug me. And Pop channels his inner Ralph Stanley and hum-sings: The storms are on the ocean; the heavens may cease to be; this world may lose its motion love, if we prove false to thee.

Good thing I’m in this Mimi-Pop sandwich because I go all weightless and light-headed when I remember Dad and Mom harmonizing the first part of this song: I’m going away to leave you, love, I’m going away for a while; but I’ll return to you some time if I go 10,000 miles.

O.K. Pop clears his throat for action.  Before we get started on the scolding and such, Isabel, you need to know that we’ll always love you. He’s got his palms on my shoulders, maybe to give me ballast.

No matter, adds Mimi, as she straightens up and pats my arms. No matter what.

I believe them–Oliver’s already told me it’s called unconditional love; he feels it all the time with his Zia and Pop and Mimi. Oliver’s theory is that Mimi and Pop weren’t ready to take on the rearing of  me and Clyde and Sam, like their parenting skills had rusted. He estimated that they were in Phase One of Adjusting to Life with Kids Again. (He, of course, is an expert having watched a few films with titles like: Surrounded with Love: Grandparents Raising Grandchildren and The Face of Kinship Care.)

If he’s right, then this moment is the start of Phase Two.

–Isabel Scheherazade who’s “doing the Dusty”

#End of the Road: Does this breakup song describe where I’m at with Mimi and Pop? Court Caper Part 4 (“Chapter” 43)

When I spy them sitting there, dear old things, I try a feint. Like in football? I fake a run to the right, then twirl around to the left, and attempt to jump behind the Marshall who isn’t Michael the Policeman. Dad taught me about feinting: the player with momentum is always faster than the defending player’s stop and start.

Unfortunately, my feint failed.  Not-Michael grabs me. He and Pop give each other the Man-Nod.

Man-Nods don’t come with any verbal exchange. It’s a gesture that communicates.  It’s possible that in caveman times the downward nod protected the throat from fangs, but, in modern times, the nod allows two authorities, Pop and the Marshall, to acknowledge each other with neither one needing to assert himself. The deed is done. Ok to back off.

It might even be an easy way to say “sup,” Oliver informs me later on. But I doubt that Pop has ever said “sup” to anyone in his life, so this is probably just a polite gesture and may not have anything to do with “diffusion of evolutionary tension for the alpha males.” (More Oliver-sourced information.  He apparently knows all about Man-Nodding, being a man and all.)

But, I’ve digressed.

The Marshall lets me go and backs out of the little room—really just an alcove with a half-way-up door. I hear the door click shut behind me.

For what seemed like hours but was only a few seconds, we three stand and look at each other. It seems like they’re trying to figure out how to start. Or even if we can start. I imagine they’re thinking, How can we deal with a delinquent?  We’ll have to give her back.

I answer back in my thoughts, But there’s no one to give me back to!! 

Isabel Scheherazade, failed court caperer whose future is unclearcropped-isabelcrossleg2.jpg

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